the writing and photography of Neil Kramer

Author: Neil Kramer (Page 18 of 187)

Paris Journal – Prologue #1

I approach the beginning of this Paris travel journal in a fog of self-doubt. After all, on my Facebook stream today, there are FIVE other online friends visiting Paris right now.  How can I approach MY trip as “special” when international travel is as common today as a bunch of high school kids from New Jersey driving into “the city” to party on a Saturday night.

Is there anything new that I can offer to you, the reader? A fresh vision of an ancient city? Probably not.  My instagram feed will be filled with the usual shots of cute-looking cafes and cliched views of the Eiffel Tower.

Who am I  to write about a city that has already been glorified and praised by countless poets, artists, and philosophers?  I’m a nobody.   This week’s top box office movie, Warner Brother’s Prisoners, grossed $11,270,000.   My blog’s first month profits from the banner ad in my sidebar – $2.16.

But what I lack in self-confident, I gain in self-delusion. Reality holds little sway in my universe.  I don’t need to worry about the Paris of Hemingway, Voltaire, or my online friends already there on holiday.   I can only tell the story that I can see, and in my tale, the city of Paris is already the least interesting character.

Paris will be beautiful, exhausting, fun, frustrating, and disappointing.  But Paris is only a backdrop.   It could just as easily be Boise.   First and foremost, a story needs characters.  That’s what is interesting to me.

And so we begin.   The flight is Friday.   Tomorrow I will start to pack.  The plot — three characters, unlikely travel mates, each hurting emotionally and spiritually, looking for answers, but don’t yet know the questions.

Purses, Knapsacks, and Bags

An old Jewish woman crosses 83rd Street, a brown bag shlumped over her weak shoulder.

A businessman, a grey-haired fox in a tailored suit, carries documents in a black leather briefcase.

A school teacher, frantic in her step, wears her purse cross-body, tightly pulling against her chest.  Unmarried and alone, she wonders if she will ever feel a baby sucking at her breast.

Horns are honking.

“I hate New York,” thinks Mary Ellen Polanksi, a struggling media artist crossing over from the other side of the street, her arm attached to the organic tote bag she purchased in Portland.

A fat man stumbles by, his groceries bouncing in a plastic supermarket bag.  Mary Ellen Polanski gives him a look of disgust, and blames him for the world’s global warming.

A young man with long black hair and no chin, leaves Starbucks, lugging his Timbuk2 laptop bag. He knows his novel will never sell.

An Indian woman, dressed in traditional garb, holds a mustard-colored handbag which contains a packet of gum, a vibrator she used earlier this morning, and a 9mm handgun.

I sit on a bench on 83rd Street with my knapsack at my side, an old friend now ragged from years of use.  Inside is a notebook, a sweater, a letter never sent, a key to a house in New Zealand, a book I’ll never read, and a photo of her.

We all carry our own unique baggage.

 

Who is My Audience?

In July, I received an email from an online editor asking me if she could include one of my NYC Instagram photos in a post about “the best Instagram shots of the month.”

“Sure,” I said. “Why not?”

A few days later, I received another email rescinding the offer. The editor politely explained that the full title of the post was “The Best Instagram Shots of the Month Taken by Parents,” and as a non-parent, I was ineligible.

I suppose you expect me to be outraged.  Nah.  Maybe if this happened a few years ago when I was obsessed about the community of the blogosphere.   But now I’m older and wiser, and I just shrug.  It was nothing personal.   There is no community.   Or more accurately, there are many and many communities.  It is all about each person connecting with an audience.   The editor of this blog, like most network, film, and publishing executives today, understood the importance of reaching a targeted demographic. A parenting blog wants to connect with other parents, in the same way that a Jewish magazine wants Jewish writers to connect with a Jewish audience, or a LGBT website asks a gay novelist to share his experiences with a gay readership.

From the Ladders blog —

The starting point for all communication is becoming aware of the intended audience and approaching them on an appropriate level…

To ensure successful written communication, first think about the people who will read it. By putting yourself in their shoes, you will gain insight into what they want to know and how they want to be addressed. The Temple of Apollo at Delphi in Greece has an inscription that cautions each person to “know yourself.” Improving communications encourages people to know thy audience.

Knowing your audience is not an easy task.

Earlier this week,  I wrote on Facebook:

I seem to have an ongoing struggle with my writing voice in relation to the audience. I write for myself, challenging myself to find some inner truth worth discussing, as if I’m in a therapist’s office. I write for a select group of long-time friends like Veronica and Schmutzie, because our entire friendship is based on our blogging, and it feels as if there is an obligation, almost a duty, to continue our online pen-pal relationship by writing. I write for a general audience of bloggers who might discover me through social media. And sometimes I think about writing for a complete outsider, maybe someone influential, like an editor, who will give me money to do something. And I don’t feel any of these audiences are the same, or expect the same voice. I’m not going to talk to myself, Veronica, the general blogosphere, or some editor in New York exactly the same.

But then, today, after much reading and thinking, I wrote another update —

Aha! It’s suddenly so clear. I was so blind. It isn’t about knowing who you are. We all know who we are. It’s about knowing who you’re talking to.

The audience.  You NEED to know your audience.   Or else you’re flailing.

Some of you misinterpreted my update.

From Danny Miller

Yes, but demographics are mostly used to make crazy-ass stupid decisions. “OK, we’ve got to reach 18-24 year-old males, so we’ll make these God-awful shitty movies because that’s what they want.” Sure, being able to “read the room” is a very helpful skill in life, but don’t start changing your message or presentation in any kind of artificial way because of some perceived notion of who your “audience” is. It’ll never work and you’ll end up as clueless as a network executive.

But I think Michele Kosboth said it best, in her comment.

I think you are totally spot on. Knowing who you are talking to makes that feeling of detachment, of talking into the wind go away.

Michele understood that I wasn’t talking about changing myself or my writing style to cater to a demographic.  I was looking for a way to escape the loneliness of “talking into the wind.”  I wanted to know who I was addressing.

Part of creating community is inclusion AND exclusion. We can’t just talk to everyone.   You make the decision to either talk to other writers or established journalists or other celebrities or other parents or other Jews, etc.  I assume that if you are reading this right now that you are an upper-middle class, married, 35-55, (probably a woman), liberal-oriented, and a college graduate who understands insider jokes about Twitter, watches HBO, and has a creative streak.   While I try to connect with as many people as possible, I also exclude 99% of the world population just with that one statement.

Some of you are under 35 or over 70, or a man, or have never watched Breaking Bad, and that’s OK (I haven’t watched it myself), but at least I know that you — most of my imagined readers — ARE watching it.

Why is this important to me?   It all depends on what type of community you want to build.  It’s difficult building an audience that completely revolves around your personal life.    Why should anyone care?   Asking the question, “Who am I?” has never resulted in any concrete answers.   Maybe it is time to ask a different question.  By discovering you, I will be better able to understand myself.

Of course, no one has one audience.   I find that I’m able to connect with a very different audience on Instagram than say, Facebook.  On Instagram I am “artistic product.”  On Facebook I am “personal.”   I know quite a few people who like my photos as creative work on Instagram, but cannot endure my endless kvetching on Facebook about my life.  I have blogging friends who never interact with me on Twitter.   It’s taken me a long time to figure this out.   Each location is a different community with different rules and hierarchies.  You cannot be the same person everywhere.

The typical question I get asked by friends of friends is “What is your blog about?”   An equally tough question, one that I am asking myself right now, is”Who is this blog for?”

French Lesson One

After reading in a tour book that waiters in Paris spit in your food if you don’t know at least a few French phrases, I decided to sit down with my mother and practice the basics of the language together, such as hello, good-bye, please, thank you, etc.    We found a French YouTube video tutorial that taught us the proper protocol when meeting friends in a cafe, even showing us the mandatory French method of kissing of the cheeks.

After we nailed the first lesson, I had an idea for the most gimmicky blog post ever created — what if WE made our own YouTube video teaching French to the other mothers and sons out there visiting Paris together?

The only problem was my mother refused to be in my video.

Neil:  “C’mon, Mom, it will be fun!”

Neil’s Mom:  “No.  If you want to embarrass yourself online, that’s your business.”

Neil:  “Didn’t you once tell me you always want to be an actress?”

Neil’s Mom:  “Yes, but in a Hollywood movie with a young Paul Newman.  Not in some movie you’re shooting with your iPhone.”

That’s cold, right?   Can you see why I have anxiety issues?  But just like I did as an only child growing up with a working mother, I found a way to have fun on my own.

By using a lamp as my co-star.

Two Rosh Hashanah Services

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Over Rosh Hashanah, the Jewish New Year, I attended two services at two very different synagogues, each with a completely different orientation towards Judaism.

On the first day of Rosh Hashanah, I went to a “secular” Jewish service in lower Manhattan with a congregation that focuses on the social justice tradition of Judaism rather than the religious aspect.  The Torah wasn’t read during the service and the term “God” was used sparingly, and only with quotes around His name.   The prayer book was self-published, and included a mixture of traditional prayers, songs by Bob Dylan and Leonard Cohen, and passages by Nelson Mandela and President Obama.

In the middle of the service, the spiritual leader, an attractive woman with fiery red hair, asked the members of the congregation to share their successes from the past year.  How did they made the world a better place?

One by one, the congregants stood up, telling stories of their commitment to the outside world.  One young man, dressed casually, and sporting a tattoo on his neck, spoke of volunteering at a homeless shelter.  A well-heeled couple said they quit their corporate jobs to start a charity to help sick children in Africa.   An older woman mentioned her work at the Central Park Conservancy, planting trees.  At the end of the service, the congregation left the temple with a concrete message — there are good people out there, role models, who inspire us to do better things with our lives.

On the second day of Rosh Hashanah, I attended a Modern Orthodox temple in the Upper West Side.  The members all seemed to be professionals — doctors, lawyers, and students at Columbia University — individuals comfortable in the modern world, but still attracted to the traditions of the Orthodox world.   A cloth barrier in the middle of the room separated the men and the women, right and left.   Since this was a forward-looking group, there were attempts to modernize the ways of the Orthodox movement.  While the rabbi read from the Torah on the men’s side of the barrier, it was a female spiritual leader who made the traditional Rosh Hashanah sermon from the woman’s side.

The main difference between the secular service and the Modern Orthodox service was that here — God was everywhere.   His name was repeated over and over, his power lauded and praised.  The Jewish New Year was a serious business of repenting and asking for forgiveness for our sins, in preparation for the holiest of the Jewish holidays – Yom Kippur.

One of the central High Holy Day prayers is a recitation of all of the possible sins that happened during the year, from small to large, spoken out loud, simultaneously, as a group. Everyone asks for forgiveness for all the sins, some as serious as murder, even if the individual is not directly responsible, as if the entire community is held accountable for the break in the fabric of society.

Day one, at the secular service:  There is no God.  Each individual aims to become a role model to inspire the others.

Day two, at the Orthodox service:  There is a God.  Until the world is perfect, we are all responsible for the sins of man.  We look within to see our our failings, and share it with the larger community.

Which of these is a better way of viewing the world?  In many ways, it is a question I ask myself every day when I write on my blog.  Do I want to appeal to your aspirations, positioning myself as a teacher or authority figure out to inspire you with my thoughts and good actions (I donated to the Red Cross; you should too!), or do I want to share with you my failings, letting you feel comfortable with your own imperfections (I am fearful; are you?)

Swimming Past the Sharks

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In case someone reads this post two years from now and doesn’t remember the name Diana Nyad — she is an American endurance swimmer, and today, at age 64, she became the first person to swim from Cuba to Florida without the help of a shark tank.

It was Nyad’s fifth try to complete the approximately 110-mile swim. She tried three times in 2011 and 2012. She had also tried in 1978.

Her last attempt was cut short amid boat trouble, storms, unfavorable currents and jellyfish stings that left her face puffy and swollen.

“I am about to swim my last 2 miles in the ocean,” Nyad told her 35-member team from the water, according to her website. “This is a lifelong dream of mine and I’m very very glad to be with you.”

I learned about her success on Facebook. My timeline was filled with supportive responses to her amazing feat.

“Diana Nyad is my hero.”

“This just proves what I tell my children. If you try hard enough, you can succeed in anything.”

“I hope to be like her when I get older — accomplishing greatness in MY sixties!”

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“What do you think of the woman who swam from Cuba to Florida?” I asked my mother at lunch.

My mother wasn’t following the story. She was watching a Labor Day Perry Mason marathon on the Hallmark Channel.

“What woman? I haven’t been following it.”

“Her name is Diana Nyad. And she’s sixty four years old!”

“That’s great. Amazing. Was she trying to escape?”

“Escape? Escape from what?”

“Escape from Cuba for asylum? Is that why she was swimming to Florida?”

“No. She wasn’t swimming to escape. She was swimming because she is a long distance swimmer and this was her lifelong dream! She never gave up.”

“Her lifelong dream was to swim from Cuba to Florida?”

“Yes.”

“That’s crazy. Couldn’t she just take a boat?”

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3PM, Labor Day

I’m in my bed. Thinking about swimming from Cuba to Florida. There are vibrations going up and down my body, as if a thousand electric toothbrushes are powered up and pressing against my skin at once, shaking my nerves.

There is something about Diana Nyad’s accomplishment — the fact that she never gave up, even for a goal that my own mother saw as rather unnecessary — that has brought me close to a nervous breakdown.

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3:30PM, Labor Day

Maybe I was being a little over dramatic before. I’m fine. I can be a bit of a drama queen. Everything’s fine.

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4:00PM, Labor Day

I’m sitting at my laptop. I’m feeling better. Not sure what happened before. But let me tell you — during the last couple of weeks, I have been acting very strangely, more so than usual. It’s as if my body is sending my brain a message. Or more likely, the other way around.

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4:30PM, Labor Day

In the 1960s, there was a popular therapy technique called “flooding.” It was used on patients with various phobias. A woman scared of elevators, for instance, would be forced into a closed elevator to confront her darkest fears until she would pass out from hypertension, but then, miraculously, from that day on, she would be able to take elevators without a problem. While the method seems primitive and cruel today, it was also quite effective.

During the last two weeks, I have been flooding myself, almost as if I want to fix every leaky valve in my brain before the start of Rosh Hashanah. While none of my personal little goals have been as dramatic as swimming a shark-infested ocean, they have been dangerous to me in that they forced me to swim into the dark waters of myself.

Two weeks ago, I submitted a screenplay that I had been working on for three years.

My thoughts at the time: (Is it any good? What if it isn’t any good? What if he doesn’t like it? What if it was better in that draft from two months ago? Why did I take that friend’s stupid advice of changing the “priest” character when it was way better before? Why am I so weak and compromise so easily?)

Last week, I placed a banner ad in my sidebar of my blog.

My thoughts at the time: (Am I being a hypocrite after everything I’ve ever said against monetization? Is it even worth if for such little money? How will my readers take it? Will they see me as too needy? Did I lose face with myself? Why do I feel nausea when I see the ad on my personal blog? Should I tell everyone to use an ad blocker so they don’t have to see the ad when the read my blog? Why WOULD I tell everyone to use an ad blocker so they don’t see the ad — isn’t that the point?!)

This weekend, while most of my friends enjoyed the last weekend of the summer swimming in lakes or hiking mountains, I stayed home, with an eye on a new prize — putting a few of my instagram photos for sale on my blog as prints.

My thoughts at the time — and now: (How much should I charge? Will I look like I am extorting friends? What if I charge too little and my real photographer friends feel like I am degrading the art of photography? Do I deserve to even make any money on an iphone photo? Who am I fooling? What if someone feels obligated to buy one, and they don’t really want to? What if someone buys one and then in a month they start a Kickstarter campaign for their own project, and I feel obligated to donate to it?)

Today, as a sixty-four year old woman finished achieved greatness in the water, my body, as a reaction to my own thought process over the last two weeks — gave up.

“This is not normal,” I told myself while lying in bed, looking up at the ceiling. “You have anxiety.”

I can hear some of my friends laughing.

“Dude, I could have told you this YEARS ago.”

I hate when people call me “dude.”

Why am I suddenly so obsessed with this idea of “feeling the fear and doing it anyway.” Why am I pushing myself? What am I trying to push myself to do? Would anyone care about Diana Nyad if she failed again, and decided it was time to give up? Why is she a hero? What did she do? Is she a nice person? What do I need to prove to others? To myself? Do I want to be the second person to swim from Cuba to Florida? Wouldn’t it better to just take a boat?

I exhaust myself.

Junior High School Girls Talking about Miley Cyrus

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Tracey and Judy meet outside their junior high school on the first day of school.

Tracey:  “Hi, Jody!”

Jody:  “Hi, Tracey!  How was your summer?”

Tracey:  “It was great.”

Cindy comes over to them, waving hello.

Cindy:  “Hey, guys?  Did you see Miley Cyrus at the VMA awards?  What did you think?”

Tracey:  “Lame.  I didn’t even watch it until later.   I was busy preparing for this year’s algebra class.

Cindy:  “Before school even began?”

Tracey:  “Yeah.  I so want to get into Yale after high school.”

Jody:   “I didn’t watch it at all.  I have no time for mindless fluff.  I spent my summer volunteering at a homeless shelter downtown.”

Cindy:  “I hear you.  The whole show was boring.  I just had it on in the background while reading about Syria in the Sunday Times Week in Review.”

Tracey:   “I don’t get what the whole big deal about that performance was all about.  It’s not like because of some celebrity that I’m suddenly gonna walk around sticking a big finger up my hoo-hah.  I’m not an idiot.”

Jody:  “TV is soooo stupid.”

Tracey:   “I know.  I’m kinda worried about my mom.  She watches TV all the time.  Such crap.  With such bad values.  You ever see any of those Real Housewives shows?”

Jody:  “OMG!  Such bitches.  My mother watches that crap too!   I’m so glad our generation would never act like that.”

Tracey:  “Sometimes I just wish my mother would read a book instead.  By someone good, like Joyce Carol Oates.”

Cindy:  “My mother watches this other TV show.  On cable.  I forget what it’s called.  It’s really disgusting.  About the old days when everyone was really sexist in the advertising business and there were no people of color.   And the main character is a total sleaze and shitty to women, and get this — my mom has the total hots for him.”

Tracey:   “It’s like our parents have no morals anymore.”

Jody:   “You think that’s bad.  My mom’s favorite shows is about a teacher who deals in meth.”

Tracey:  “My mother watches this show where the lead guy is a serial killer!”

Cindy:  “What ever happened to the wholesome shows for adult, like Happy Days and the Love Boat?  What’s wrong with adults today?”

Tracey:  “It’s like so sad.   Adults don’t want to admit to being responsible adults anymore.   I especially hate they they want to listen to our music.   Read books for young adults.”

Jody:  “My parents are totally gross.  One weekend they downloaded this entire show from HBO about these pampered young women in Manhattan — like twenty years younger than them — who just curse and have anal sex.  This is called entertainment?”

Tracey:  “Gross.”

Cindy starts to cry.

Tracey:  “What’s the matter, Cindy?  Are you alright?”

Cindy:   “I don’t want to talk about this topic any more.  It’s too shameful.  I try to be a good person.  To respect my parents.  To look up to them as people I want to emulate.  But how can I ever do that when I see them watching that sick weirdo medieval throne fantasy show every week — the one with so much violence, nudity, and rape.  And they LIKE IT!  I can’t even look at my parents anymore at the breakfast table.  It’s like they’re perverts.”

Jody:   “I know.   I know.  All our parents are like this nowadays.   They’ve lost their way morally.”

Tracey:   “Listen, guys.  We need to stick together.  We need to focus on school, and not let our parents drag us down into their cesspool of perversion.   If they want to watch this junk, we can’t stop them.  But we can be better than they are!”

The Principal walks towards the school.

Cindy:  “Oh, there’s Principal Andrews.  It’s time for another school year!  Thank God we are finally away from our parents.”

Jody moves closer to her two friends, whispering in their ears.

Jody:  “Listen, I don’t know if I should tell you this, but in July I was at the mall and I saw Principal Andrews there with his wife and kids.  And he was dressed very casually, like we never see him at school.  And he was wearing a ratty t-shirt promoting that horrible old rap group N.W.A. from our parent’s day, the one with the repugnant anti-social lyrics!”

Tracey and Cindy:  “Ewwwwww!”

The Golden Era of Advertising

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I didn’t read many blogs when I started Citizen of the Month in March, 2005.  My initial model for my blog was the late Andy Rooney of “60 Minutes.”  Every day I would write a short post based on some personal off-kilter observation such as, “Why do we still lick envelopes in the 20th Century?”  It’s a tried and true comedic technique.

Seven years ago this week, my father died.   I was blogging for a little over a year.  Sophia, my wife at the time, sent a message to my blog readers that I was called back to New York.  There was no Twitter or Facebook at the time, so I used my blog as my diary, writing about my emotional state at the time, detailing all the chaos, the sadness, and even the frequent bittersweet humor of dealing with a parent’s death.

My father’s passing completely transformed my view of blogging.  Writing a personal blog was not the same as writing a short story or a magazine article.  It certainly was not like Andy Rooney doing his shtick on “60 Minutes.”  For one thing, blogs had comments, and the feedback from others were frequently more interesting than the original post.  Readers also CARED about me in a way that I never cared about Andy Rooney.   And I CARED about my readers.  Blogging was something revolutionary — a hybrid of writing, community forum, therapy, and friendship.

Life continued on, as did my blog.  My writing changed in tone to reflect my experiences.    Sophia dealt with breast cancer.  Sophia’s mother passed away.  Sophia’s step-father passed away.  Sophia and I divorced.  I moved back and forth between Los Angeles and New York.  I flew to New Zealand to meet a new woman.  Life.

Last night, I put an advertisement onto the sidebar of my blog, or more accurately,  I installed a Javascript “advertising-tag” into the code which sends you creepy Big Brother-like advertisements tailored JUST for you, based on the cookies in your browser.    At first, I couldn’t figure out what I was doing wrong with the code, because the advertisements didn’t show up in my browser.  I realized that I was using the Chrome Extension, Ad Blocker, to hide YOUR advertisements, so I was blocking my own ads!  I turned off Ad Blocker, and BOOM, it appeared — a 160×600 banner ad for Buick.

I glanced over at my last few posts.  One was a mediation on happiness.   Another was a photo essay.  The third was a conversation with my cock.   I turned to the Flashy Buick ad and… I started to cry.  It wasn’t an unhappy cry.   It wasn’t a happy cry.   It was just an emotional release, of what I can’t tell you.

Placing this advertisement on my blog is a very big deal to me.  It scares me, but it also gives me a slight thrill, like I’m losing my virginity to a prostitute or going bungee jumping.  Will I keep the advertisement on my sidebar?   It depends on how much money I can earn by keeping it there.  If we are talking less than ten bucks a month, it’s not worth it.

I know my eight year obsession over putting advertising on my blog is crazy, and has annoyed the shit out of some of you.   I realize that most of you couldn’t care less what I do.  But I’m pretentious.   It’s one little secret that I try to keep to myself.  My blog is powerful… to me.  It is a reflection of my life, my manhood, my attitudes towards money and ambition, and an expression of sex and desire.   My blog is also about my father, the kind man who died seven years ago this week.   And my father would never put advertising on his blog.   So, it’s a big change.

Happiness and Gumballs

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It was the day before the annual BlogHer conference in Chicago.   JC and I made plans to stroll down Michigan Avenue and explore the city.  If you don’t know JC Little (The Animated Woman), take a look at her delightful and somewhat repulsive presentation about pinworms at the Voices of the Year ceremony.  She’s my kind of person.

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During our walk, we found ourselves in the architecturally-interesting Chicago Cultural Center, and noticed that there was an art show on the fourth floor gallery.  It was titled “The Happy Show” and the installation was by Stefan Sagmeister, a prominent designer from New York.

The Happy Show offers visitors the experience of walking into the designer’s mind as he attempts to increase his happiness via meditation, cognitive therapy and mood-altering pharmaceuticals. “I am usually rather bored with definitions,” Sagmeister says. “Happiness, however, is just such a big subject that it might be worth a try to pin it down.” Centered around the designer’s ten-year exploration of happiness, this exhibition presents typographic investigations of a series of maxims, or rules to live by, originally culled from Sagmeister’s diary, manifested in a variety of imaginative and interactive forms.  — from the city of Chicago website.

The exhibit was fantastic, and we spent over an hour enjoying the unique infographics and interactive displays, all relating the concept of happiness.

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The most provocative art piece was Sagmeister’s attempt to show a graphical representation  of the happiness of the visitors to the show.  He did this based on the amount of gumballs that were taken from a row of ten old-fashioned gumball machines standing against the wall, numbered from 1-10, each machine signifying one higher level of individual happiness.

I thought about my level of personal happiness before I approached the gumball machines. I decided that I was relatively happy.  Even with some bumps in the proverbial road, I had my health, good friends, my hair, and I wasn’t bored yet with my existence.  I took a gumball from machine #7.  That put me in the top 25% of happiness.

As I put the gumball into my mouth, JC said, “That’s bad for your teeth.”

I laughed.  It’s the little joys of life that enable a person to be happy.

“It’s your turn,” I said, almost a dare.

JC walked to the row of gumball machines and turned the handle of machine #10.  A bright yellow gumball dropped out.

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“#10?” I shouted, rather stunned.

Maybe she was confused by the instructions.  She was Canadian, after all.

“You realize that #10 means #10 in happiness.” I mansplained.

“I know,” she said.

I left it at that, but by the time we were back on the street, at “the Bean” in Grant Park, I couldn’t hold it in any longer.  Her choice had annoyed me.

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“How can you put yourself as #10 in happy?” I pushed again.

“Because I’m happy.”

“That’s great.  I’m glad you’re happy.  But #10 happy?  What about #9 happy?  Then you would have something to look forward to!”

“I think you can be #10 happy all the time, if you are happy at the moment.”

“Are you saying that nothing bad has ever happened to you?  No one you cared about ever got sick or went bankrupt?”

“Of course bad things happen.  I can be upset, but still happy and content.”

“This makes no LOGICAL SENSE.  #10 means the IDEAL.  The Platonic ideal.  Heaven is #10.  No one ever gets to be #10 in this world.  If I thought I was #10 in happiness, I would just kill myself because it’s all downhill.”

“That’s because we have different views of happiness.”

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Two days later, I met JC during one of the keynotes.  It was the day after her presentation at the Voices of the Year.

“You were great last night,” I said.

“Thank you.”

“Anyway, enough about that.  Have you changed your mind about what number happy you are?”

“Are you still obsessing over this?”

“Are you feeling #10 right now?”

“Yes.”

“Ok, let’s make up a hypothetical situation.  Imagine, last night your presentation was a total disaster.  Everything went wrong.”

“Nice.  OK.”

“The microphone didn’t work.  The crowd was booing.  Today, you’re being ostracized by everyone you know.”

“Are they throwing things at me?”

“Yes.”

“Good.”

“So, what number happiness are you now?”

“#10.”

“Bullshit!”

“Like I told you ten times before.  I can be upset.  But still happy.  Because I know who I am.”

“OK, what if your pants fell down during your presentation last night, and you weren’t wearing any underwear and everyone saw your privates?  What then?  How would you feel today?”

“That would be quite memorable.  It would probably make me more happy.”

“Aha, GOTCHA!  You are already #10!  You can’t become MORE HAPPY!”

It’s been a month since BlogHer.  Last night, I had a dream.  I was standing in front of the row of gumballs in Chicago, ready to make another choice.  I gazed at the yellow balls of sugary gum enclosed in reflective glass tubes, and then I went for it.  But this time, rather than taking a gumball from machine #7, I turned the lever of machine #6.

Speech Therapy

Thank you to everyone on Facebook who recommended a good therapist in New York. You’re nice people  (and apparently rather troubled).   I promise to look into it this week.

Today I went to my family doctor for a check-up.   After the nurse took my blood, Doctor R enter the examining room and sat across from me.

“I hear you wanted to ask me something, Neil.”

“Yes, I wanted some recommendations on seeing two other professionals.”

“OK.”

“First, I’ve been feeling congested lately and I want to see an Ear, Nose, and Throat doctor.”

“Fine.  Let me send you to Doctor Grossman at NYU.  He’s very good.”

“And then, I was wondering if you know… because I was thinking of going to…. well, like a therapist.”

“Is that rotator cuff still bothering you.  I can send you to that physical therapist in Flushing.”

“No, not a physical therapist.”

I noticed Doctor R checking out my shoulder.  I pointed my finger upwards towards my face to help him understand what type of therapy I was discussing.

“Oh, I know someone very good at Queens College,” said Doctor R.   “She’s the chairman of the speech therapy department.”

“Speech therapy?”

“She’s a speech therapist.”

“Why would you send me to a speech therapist?” I blurted out.

“I thought that’s what you wanted.”

“Is there something wrong with the way I speak?  Jesus, now I’m really paranoid.  No, I’m talking about…”

I pointed my finger upwards again, this time directly at my head, as if I was about to shoot myself with my index finger.   The doctor’s “speech therapy” comment made me so anxious, I couldn’t think straight or come up with the right word.

“…I’m talking about… what do you call it.  I can’t think today.  A head therapist.   A brain therapist.”

“A psychiatrist?” he asked.

“Yes!  Well, no.  A psychiatrist sounds too serious.  I just probably need a regular therapist.  Not anyone with a fancy medical degree.  To talk to about things.  Someone’s who relatively cheap.  But still good.”

“I see.  An inexpensive therapist who’s still good.”

“Yes,” I said.

“I know of one person.   But would you mind seeing a therapist who shares his office with an auto body shop on Queens Boulevard?”

Note:  The previous was mostly true, except for the last line, which was thrown in at the last moment for humorous effect.

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