the writing and photography of Neil Kramer

Category: New York City (Page 4 of 24)

Fictional Characters of New York #39

wedding

My name is Eduardo Ruzman.   I am a professional wedding photographer, with a studio in Chelsea.  I shoot weddings of the most prominent members of New York society.   I make a very good living.

But my real vocation is that of fortune-teller. When I perform my duties at the church, temple, restaurant, or private mansion, I do not simply look through the viewfinder, and shoot images. I observe, and I listen. And based on the way a marrying couple interacts, their choice of words and gestures, the roll of an eye, a rise of tension in the voice, I can predict, to the exact month, how long their marriage will last.

“Maybe if you didn’t stay out so late last night, you wouldn’t be so tired today,” complained the new bride to her groom.  She was wearing a $10,000 Vera Wang dress.  He was the pampered son of a Wall Street icon.   His father hired me, knowing that I would make the couple look good for the New York Times wedding notice.

In fourteen months, and four days, she will file for divorce.

I was not born with this skill. I nurtured my talent during childhood in the Bronx. My father and mother, Rolando and Estella, argued all the time, about work, about the dishes, about how my mother made the “biggest mistake of her life” by not marrying Frederick, my father’s brother.  My father hated when she said that, especially how it was spoken with venom, and he would slap her in the face. Sometimes, while locked in my bedroom, I would hear the beatings.  It was my first correct forecast.   I knew that my parents would be married forever. Or until 1989, when my father had his mysterious accident, breaking his neck on the bottom of the steps.

“M” or “N”

subway

We talked about goals today in therapy.

“But how do you know which is the right path to take to reach your goals?” I asked my therapist towards the end of the session.

The therapist looked at his watch, indicating that time was up.

I took a long walk to 34th and 6th to take the E train back to Queens.

The E train was jammed with every Human of New York as we screeched from the station. It was not rush hour.  Something was wrong for it to be so crowded.

The conductor spoke over the loudspeakers.

“Because of construction,” he said, “The “E” train will only make stops on the [unintelligible]  line. Again, the “E” train will only make stops on the [unintelligible] train.”

“Did he say the “M” train or the “N” train?” asked the woman standing next to me, a middle-aged Pakistani lugging three shopping bags from TJ Maxx.

“”M” train” I said. “I think.”

“No, he said the “N” train.”” said a dude with an NYU yarmulke.

The confusion quickly spread through the entire train, like a wild fire in California, or viral video on Facebook.

“Let me say this again,” spoke the conductor.  “Because of construction, the “E” train will only make stops on the [unclear if its “M” or “N”] train. As in the word….”

He either said “Mikey” or “Nike.”

“Mikey?” asked an off-duty security guard reading the Daily News. “So it’s the “M” train?”

“I thought he said “Nike,” retorted a mother with a baby stroller. “So the “N” train.”

Like a boomerang tossed into the wind, our cries whipped back to the conductor.

“Because of construction…” he said for the third time, “… the “E” train will only make stops on the [unclear if its “M” or “N”] train.  As in… MICHAEL JORDAN.”

“Michael Jordan,” I said.  “I knew I heard “M.”

“But maybe he means Michael Jordan, as in the Air Jordans made by NIKE, so “N”!” said the security guard, proving Voltaire’s famous maxim that “Doubt is not a pleasant condition, but certainty is absurd.”

The Pakistani woman was becoming frantic, swinging her shopping bags like a pendulum. She walked over to the side door where the conductor was sitting inside.  None of us had realized that we were in the first car, in close proximity to the oracle himself.  His door was adorned with a poster advertising a sleazy dentist who took all medical plans.

The woman knocked several times, asking, “What stops are we making on this train — “M” or “N?”

The conductor opened the door, revealing his unshaven pale face. There was gasps from the crowd, because his appearance was like seeing the Phantom coming on stage at the Paris Opera.

“We’re making the stops as the “M” train,” he said, as clearly as possible. “The “M” train. “M” as in AUNTIE M.”

The weary travelers sighed in relief. We were making the stops as the “M” train. It was as solid a truth as the existence of gravity.

Except that if he was making a reference to the Wizard of Oz, most people should know that Dorothy’s aunt was named Emily, so her name would be Auntie Em, not Auntie “M,” which would be an “E,” the letter of the train we thought when we first entered the “E” train. But rather than causing any more confusion, I kept this information to myself.

We all have goals in life. But sometimes we need to let life take us to our destination without question.

Fictional Characters of New York — #38

The statues stood silent, dusty and broken in a lonely storage room.

“I told you this was the wrong place,” she said. “Robert’s gallery is on the fourth floor.”

I never liked Robert Altbrook, her pretentious artist friend, the type of guy who talked about books he never read.  But Andrea didn’t want to be late for his opening, so we got here early, but apparently on the wrong floor.

She had planned on this outing for a week, buying a new dress at Bloomingdale’s and making sure the kids were staying with friends.   I even cancelled my tennis game.

“After Robert’s show. After Robert’s show.”  That was my mantra to Lydia, as I kissed her breasts in her bed on Tuesday afternoon. “I don’t want to ruin Robert’s show for my wife.  I think she is love with him.”

Lydia managed the PR department of the firm. She was ten years older than I was, but younger at heart, and what had started out as a weekly Tuesday afternoon lunchtime fuck had turned into love.  Lydia was pressing me to ask Andrea for a divorce, and I was using Robert’s show as the deadline.

“And why would Andrea care?” I thought to myself.   We haven’t had sex in six years.  We had wasted fifteen years that went nowhere.  I was even convinced that Andrea was having an affair with Robert, but I never brought it up, feeling nausea at the idea.

“I want a divorce,” I will say to her, and we will both be free to follow our hearts.

But I knew that I would not ask her for a divorce. Not before Robert’s show. Not after Robert’s show.  I would not have the courage.  This was my life, and there was no turning back.

“Can we go?” asked Andrea, looking over at the dead stone figures.

“These statues scare me,” she said. “Imagine if they became alive.”

I felt the statues looking right back at us.

“These humans scare me,” they said. “Imagine if they became alive.”

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The Selfie Stick: The Final Curtain

The New York City of today is not the same New York City of my past. Technology has changed everything. No one reads the newspaper on the subway. Everyone is on their smartphone, living their virtual life.   In fact, you can do anything now from the privacy of your mobile device – ordering food, buying a book, hailing a cab, finding a date. In what was once the most public-oriented city in the country, I’ve seen co-workers sitting together at lunch in a café, silently updating their Facebooks and Twitters, and singles in crowded bars, ignoring each other while sexting with strangers on Tindr. Interaction with strangers, once a social necessity of urban life, has become an antique from the past, like the payphone or Smith-Corona typewriter.

One public exchange that remains intact, despite the infiltration of technology into our daily life, is the age-old interplay between tourist and local.   New York City is a tourist city, and despite the reputation of New Yorkers as rude, most residents are glad to help the visitor navigate the five boroughs.  After all, New York is an international city, the home of the United Nations, where dialogue between different cultures is essential to the survival of the world.

Just today, I was on the steps of the Metropolitan Museum of Art eating a hot dog when I noticed a young Japanese couple taking photos of each other with an iPhone.   The man snapped a photo of his girlfriend posing with a black hat and dark sunglasses, as if she was a movie star, then the woman took a photo of her boyfriend pointing up the stairs to the entrance way, as if he was a Greek sculpture.

This was the time for me to jump into action, doing what was expected of me as a resident of New York. I was about to do something that I had seen done by both my father and my grandfather, a social gesture passed down from generation to generation,  a symbol of  the interconnectivity of all people.

“Would you like me to take a photo of you together?” I asked, trying to look as confident and trustworthy as possible.

“No. No. No need.” said the woman.   She reached into her purse and  pulled out what looked like a retractable fishing rod, but later found out was called “a selfie stick.” She placed the iPhone at the tip of the metal stick, like bait, and then held it out so the phone was now several feet away, facing them, with the museum in the background.   The couple made kissy-poo faces at the camera, and she pressed a button on the stick to take the photo.  Snap.

The selfie stick. One more tradition dead – the asking of tourists to take their photo.   Once a noble gesture, now as old-fashioned as wearing a girdle.

Finally, the last reason to talk to strangers in the city.   Gone.

selfie

Fictional Characters of New York — #37

move

After we spent all afternoon moving his equipment across the street, Gideon took a wad of money from his pocket and handed $100 bucks to each of the other guys in the crew. They promptly headed to the Fiddler to blow their money on liquor, leaving Gideon and I alone in the new studio with the boxes, furniture, and music equipment.

Gideon licked his thumb and swiped $300 from his still substantial ball of dough.

“And these three bills are for you, Danny.” he said.

“No, Gideon. I can’t take money from you.”

“Sure you can. You worked hard. You spent all Sunday doing this for me.”

“You know me. I didn’t have anything better to do today.”

“Listen, I wouldn’t have asked you if I thought you wouldn’t take the money.”

“I was just helping you… as a friend.”

“Did you see any other friends here?”

“So, I’m just like these other guys you hired.  Are you saying I’m not a friend?”

“Of course you are a friend. And that’s why I asked you.  I know you’ve been out of work. So when Jill suggested…”

“So, Jill told you to call me to give me a job.  Like a charity case.”

“She’s worried about you.”

“I would have rather you just called me as a friend.”

“Just take the money,” he said, as he tried to shove the $300 into my shirt pocket. “I know you need it.”

I slapped his hand away.

“Just take the fucking money,” he yelled.

“I don’t want your fucking money.”

Gideon grew red-faced.  He was not the type of man who liked no for an answer.  He grabbed me in a stranglehold, tightening his arm against my throat.

“You’re going to take the money,” he said, as he pushed the money down the front of my pants, into my underwear.   I pulled away, removed the bills, and ripped them into shreds, spilling it on the floor like confetti.

“No wonder you can’t find a job,” said Gideon.  “You’re an idiot.”

“I should have been the one who married Jill, not you.”

“Well she chose me. That’s life in New York City. Winners win, loser lose.”

“Good. Well, tell her I’m not fucking her anymore when you’re in LA for months on end.”

Gideon jumped me like a hungry lion smelling meat, and I elbowed him in the face, breaking his nose. Gideon tripped me and I fell, my head slamming against the edge of a synthesizer.  My vision grew dark and I needed to vomit.   I grabbed Gideon’s leg and he fell on a pile of framed photos stacked on his desk.  Portraits of rock icons destined to decorate the studio walls.  Crash!  The glass pieces flew through the air like tiny knives.

For the next twenty minutes we beat the shit out of each other, until we were too bloody and exhausted to continue. Using my last ounce of strength, I rallied myself to stand, and limped over to the front door.

“I have to go,” I said as I entered the gray day outside. “I have to look for a job tomorrow.”

Roosevelt Island Tram

I posted this little video on Facebook, and no one seemed very interested in it, but then again, I enjoy experimenting with different ways to tell a narrative.   I’m using a very old technique here — patching together still photographs into a sequence,  and then using a voiceover to give it some meaning.  It’s a little pretentious, but it’s my first try playing with this idea.

Fictional Characters of New York — #36

bench

My name is Joseph. I’m a novelist living in Manhattan. My latest novel, “Upper West Side” was skewered in this month’s New York magazine by a young, feminist book critic. She called my female characters “cardboard cutouts” and “male fantasies” who only spoke about love, sex, and romance.

“Has this male author ever listened to real New York women talking with each other?” she wrote.   “I suggest that he leave his apartment one day and stop wanking off onto his page.  When I am with my BFFs we rarely talk about love, sex, and romance.  We discuss feminism, racism, literary criticism, pop culture, and the best new places to get Indian food. This is a book that should die a slow death. Shame on you Random House for publishing such tripe!”

I have to admit, I was hurt by this review.  And the comments were even worse, especially the ugly one where someone suggested women should get together in book clubs and discuss fun ways to cut off my dick.

But I’m not the type of guy to lash out. I believe that criticism is important, and I always try to learn and grow.  Criticism of your work is part of the job.

And maybe the book critic was right.   I do live a solitary life.   Writing is a lonely profession, and I spend countless hours by myself.   Maybe I need to understand women better.

Wasn’t it just last Saturday that my daughter, Julia, suggested I go on a date with someone, maybe one of my editors?

“I’m too busy for dating,” I told her. “I need to write.”

Besides, Saturday exists for my daughter.   Saturday is my happiest day.  Julia lives in Connecticut with her mother and step-father, and I live for our one day a week to see a Broadway show or new foreign film.

But how can I be a good father if I don’t understand women?   Is this why my marriage failed?  Did I not understand Kathy?   Do I only see women under the filter of  love, sex, and romance, but not living with the same worldly dreams, ambitions, and goals of men?

I decided to take the book reviewer’s advice to heart.   After lunch, I closed my laptop, and I took a walk down Broadway, something I never do in the middle of the week.   I continued downtown until I noticed three women sitting on a bench, chatting together. They were of different ages; I assumed they were related. I took my position on a bench across from them and closed my eyes to focus on their voices and conversation. I wanted to learn, “What DO women really talk about?”

And I listened.   One woman, I think the younger one, had a higher-pitched voice. The older woman was tentative in her speech, but the others responded with respect for her life experience.  The third woman was the most educated.   She mentioned her advanced degree from Columbia at least three times.

The feminist book critic from New York magazine was correct. I listened with my eyes closed for forty minutes, and NONE of these women mentioned the subjects of love, sex, and romance.

What did they talk about?    They discussed a job opening at a publishing house, an acquaintance who was recently unfriended on Facebook,  a vacation rental apartment in Prague, a sale on fall jackets at Burlington Coat Factory, a recipe for challah for Rosh Hashanah, whether Hillary Clinton would be a good president, and where to find a good math tutor for the middle woman’s struggling son.

I had finally learned what women discuss with each other.

“Basically, love, sex, and romance,” I said to myself.

I chuckled, then returned home to write a new book.

Fictional Characters of New York — #35

street

“What’s that ring tone?” asked the customer, a young black man with dreadlocks.

“It’s an old song. From the 60’s. When I was young.”

Milt sold shady, refurbished, jail-broken cell phones from a corner in Astoria, Queens. Everyone from the local high school knew where they could find him — the strange old man slumped over in his torn windbreaker, and kept his “merchandise” in the back of a broken down Ford van.   Today was a busy day for Milt.   With the introduction of the iPhone 6 the day earlier, students of Benjamin Franklin High School knew that he was getting rid of the iPhone 5s for cheap.

Milt never dreamed that he would be spending his Golden Years selling contraband iPhones and Androids to selfie-addicted high school students.  He was not a techie.  He attended Brooklyn law school back in the day. That’s where he met Renee.  It was also the start of his drinking, first one glass, and then as winter approached, a whole bottle of Dewar’s at night.  Milt always said that he didn’t hit Renee across the face that Christmas night.  The liquor did. But it was the start of the end. Renee moved to California and never returned his calls, back when telephones were still attached to the walls.

Milt had no interest in cell phone technology.  He saw a business opportunity. He knew the kids loved the phones, and it was better than selling them drugs.

“What that ring tone?” every young customer would ask him, boy or girl, black or white.

“It’s an old song. From the 60’s. When I was young.”

It was his signature.   The way Rolex put their name on a watch.   He personalized every ring tone before he sold it on the street.   And every phone had the same song.

Just walk away, Renee
You won’t see me follow you back home
The empty sidewalks on my block are not the same
You’re not to blame

From deep inside the tears that I’m forced to cry
From deep inside the pain that I chose to hide.

For Microblogging Monday

Fictional Characters of New York — #34

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On the third day of my honeymoon, I knew my marriage was a mistake. Scott and I were in our hotel room, in bed after a long day sightseeing in Paris, when I looked over at my new husband.  He was reading from the Frommer’s Guide. It was at that very moment that I saw my future life, married to a respectable man who favored organization over spontaneity.  Scott was using the same guidebook as my parents.   Here we were — a young, vibrant couple in a five star hotel in the most romantic city in the world, and my husband was reading from the Frommer’s Guide. Why weren’t we fucking so hard that passerbys could hear us on the Champs-Élysées?

A few weeks after our return to New York, I met Victor on the elevator in my office building. He worked at the Cruise Company on the 38th Floor.  He was a few years younger than Scott, and not as financially stable.  He was not the type of man that I would usually be attracted to,  but he was funny and he liked me.

One afternoon, we played hooky from our jobs to sing Michael Jackson songs in that Korean karaoke place on 43rd. After a rousing duet of “Thriller, he kissed me and pressed me against the wall, and like an over-anxious schoolboy, I could feel his urgent need for me growing in his pants.

“Let’s take a walk,” I said.

It wasn’t as if I was indecisive about wanting an affair. I knew what was going to happen. That morning, I shaved my legs, painted my lips with the reddest shade I owned, and slipped on my dress like the shameless harlot I hoped to become for the day.

Victor and I took a walk to the Highline. He pointed down 23rd Street to an apartment building a few blocks away.

“That’s where I live. My roommate isn’t there.”

“Good.” I said.   It was time to break free from a mistaken marriage.  I closed my eyes and thought about the pleasure and pain I would feel as Victor pinned me to his bed.

Victor noticed the pause, and bit his lip. He was new to all this – dating a married woman. Victor was not a “player.”   He had only slept with one woman, an ex-girlfriend, and he still hoped to one day win her back.  He was deeply moral, born to a Christian family, and had mistakenly understood my pause for old-fashioned guilt.

“It’ll be our little secret,” he said, assuring me of his trustworthiness and sense of propriety.

And then, as happened when seeing Scott reading the Frommer’s Guide on that night in Paris, I knew Victor was the wrong man for me.  Scott was following the rules of marriage.  Victor was following the rules of infidelity.   And I did not want to be chained down by rules.

I wanted a man with such all-consuming passion for me, needing my body, mind, and spirit so completely that he would have no other choice but to shout it out to the entire city below.

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